James Taylor-Foster, the newly appointed executive director of Hong Kong's Para Site, is ready to embark on a transformative journey as the non-profit art institution celebrates its 30th anniversary. With a unique background in architecture, design, and digital culture, Taylor-Foster brings a fresh perspective to the role, challenging the traditional boundaries of contemporary art. His vision for Para Site's future is one of both continuity and disruption, aiming to redefine the institution's role in a rapidly evolving cultural landscape.
Taylor-Foster's appointment is particularly intriguing given his departure from the conventional art world. His previous experience at ArkDes, a Swedish museum, showcases his ability to curate diverse and innovative projects, such as the internationally acclaimed exhibition 'Weird Sensation Feels Good: The World of ASMR'. This background in architecture and design, coupled with his interest in digital culture, sets him apart from previous directors, who were primarily from the visual arts field.
In an interview, Taylor-Foster acknowledges the weight of Para Site's legacy but emphasizes the need to move forward without being burdened by it. He believes that the institution must adapt to the changing cultural landscape of Hong Kong, which has seen the rise of new art spaces like M+, Tai Kwun, and CHAT, as well as the proliferation of commercial galleries. Taylor-Foster's approach to leadership involves a deep listening period, understanding the needs of the city and the institution, and considering how Para Site can reinvent itself.
One of his key insights is the idea of contemporary art as 'the present interrogating itself'. This concept suggests that Para Site should embrace a more inclusive and interdisciplinary approach, blurring the lines between various art forms. Taylor-Foster envisions a space that fosters experimentation and supports emerging artists and curators, nurturing the next generation of talent.
A significant challenge Taylor-Foster identifies is the accessibility of Para Site. He aims to broaden the audience by lowering the threshold of engagement without compromising the institution's ambition. This involves rethinking exhibition formats and giving artists more autonomy, allowing even simple gestures to have a profound impact on the viewer's experience. The current premises in Quarry Bay are reaching capacity, providing an opportunity for a much-needed relocation and a reevaluation of the institution's physical space.
Taylor-Foster's philosophy revolves around the idea of Para Site as a 'nurturing garden' for artists and curators. He believes in the importance of generosity and support, fostering an environment where creativity can flourish. This approach aligns with the institution's early spirit, emphasizing the development of artists and curators who will shape the future of the art world.
As Taylor-Foster takes on this exciting new chapter for Para Site, the art world eagerly anticipates the unique and innovative direction he will bring to the institution. His ability to blend diverse disciplines and his commitment to nurturing talent will undoubtedly leave a lasting impact on the Hong Kong art scene and beyond.
